Rolling with the BIG Dog Part 7Page 6 of 9 |
Saturday 25th May 2013 |
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| So – ‘How was it done’:
Firstly, I made an ambient meter reading with my Sekonic meter which gave me
a 1/60 at f4 giving me a baseline to make my creative decisions from. I
wanted to make the background darken down so my key light, (a Nissin Di866
shot through my DMLS collapsible beauty dish), was metered to give me f5.6
(camera set to this) and the shutter speed was raised a couple of stops,
thus darkening the ambient light. The separation light was even simpler.
Just a ‘naked’ Di866 with its head set to 24mm placed on the stairs behind
the subject, aimed towards camera. The output was set to EV +1. The location
was chosen to complement the outfit and the pose was directed to complement
the overall feel for the image. The triggering of the lights was left to the
ever-dependable Elinchrom Universal Skyport, (these beauties have never
missed a beat for me). That’s it, that simple and captured within five
minutes...I just love this image!
So two bits of anecdotal evidence but where are the common threads? Both
tales use a lightmeter as the starting point, both tales rely on simple
equipment and simple principals. However these principals have been learned
and are tried and tested, so in reality the equipment didn’t make the shot,
I used the equipment to help realise my own creative vision through my
learned photographic abilities.
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Society of Fashion and Glamour Photographers, 6 Bath St, Rhyl, LL18 3EB |